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With our partner, The ºÚÁϳԹÏÍø Historical Society, WNPR News presents unique and eclectic view of life in ºÚÁϳԹÏÍø throughout its history. The ºÚÁϳԹÏÍø Historical Society is a partner in ºÚÁϳԹÏÍø History Online (CHO) — a digital collection of over 18,000 digital primary sources, together with associated interpretive and educational material. The CHO partner and contributing organizations represent three major communities — libraries, museums, and historical societies — who preserve and make accessible historical collections within the state of ºÚÁϳԹÏÍø.

American Chairs, Made in ºÚÁϳԹÏÍø

There is something very American about a Windsor chair. Although its name points to England, where the chair’s style and manufacture emerged in the early 1700s, this immigrant furniture found its way into every American home, from a restful rocker in a small Yankee farm house to the seats of the Founding Fathers in Philadelphia’s Independence Hall.

Not surprisingly, more than one Windsor chair can be found in Making ºÚÁϳԹÏÍø, the ºÚÁϳԹÏÍø Historical Society’s ongoing exhibit covering more than 400 years of ºÚÁϳԹÏÍø history. The chair’s simple design made it relatively easy to build and affordable to buy. In the 18th and early 19th centuries both large and small ºÚÁϳԹÏÍø workshops employed apprentices and indentured servants, who often created the separate chair parts in large batches and built the chairs in an assembly-line fashion, cutting cost and time. A typical shop would have a bin full of chair-back spindles, for example, ready to add to a finished seat.

On display in Making ºÚÁϳԹÏÍø are a number of Windsor chairs from the Allen shop in Windham, ºÚÁϳԹÏÍø. Amos Denison Allen (1774 - 1855) owned a 190-acre farm and ran a shop that employed as many as twelve apprentices at one time. Allen began his career as an apprentice himself at the age of sixteen, working under contract for a furniture maker in Lisbon, ºÚÁϳԹÏÍø beginning in 1790. Windsor chairs were shipped up and down the East Coast and transported locally by peddlers on horse-drawn carts. Allen shipped his Windsor chairs to his brother-in-law and agent in Savannah, Georgia. For large shipments, the chair parts were often packed separately to save space. Allen painted his chairs the typical colors of green, yellow, red, black, and brown. Some of the Windsor chairs in the CHS collection appear black today because the green paint has actually darkened over time.

Discover more stories about early ºÚÁϳԹÏÍø craftsmen—and others who shaped ºÚÁϳԹÏ꿉۪s history—by exploring Making ºÚÁϳԹÏÍø at the ºÚÁϳԹÏÍø Historical Society today.  Making ºÚÁϳԹÏÍø is open Tuesday through Friday from 12-5 and Saturdays from 9-5.

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SOMOS CONNECTICUT is an initiative from ºÚÁϳԹÏÍø, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de ºÚÁϳԹÏÍø, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

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