ºÚÁϳԹÏÍø

© 2025 ºÚÁϳԹÏÍø

FCC Public Inspection Files:
· · ·
· · ·
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Mini art prints from vending machines make one artist's dream

JUANA SUMMERS, HOST:

What comes to mind when you see a vending machine - bad coffee, maybe stale chips? You might not be thinking about snagging a work of art, but one artist is trying to make vending machines a bit more creative. ALL THINGS CONSIDERED producer Jordan-Marie Smith brings us the story.

JORDAN-MARIE SMITH, BYLINE: At the National Museum of Women in the Arts in Washington, D.C., next to a gift shop, there's a line forming for a vending machine.

ANA INCIARDI: OK, here it is. It's bright red with three slots. Each slot has a space for four quarters. The machine is around, is that three feet?

SMITH: That's printmaker Ana Inciardi. Four quarters won't get you a snack in her vending machines, but it will get you a colorful three-by-five print - often of food, maybe a cornichon pickle, a purple cabbage or even a vibrantly orange pumpkin.

INCIARDI: My wife is a farmer, and she will, like, come home with a bounty of vegetables, and then I just - how could I not create a hundred different prints of tomatoes?

SMITH: Those prints of tiny edibles spawned a whole community of dedicated Ana Inciardi fans. They collect and trade her $1 artworks, and there's even a subreddit for them. Right now there are 50 of her mini print vending machines across the United States. But Inciardi still gets excited about seeing them in real life.

INCIARDI: This is my first time at this museum. It's the first time seeing this vending machine. It's always really sweet watching people. But I always, like, shed a little tear the first time I see it. It's really cute. It's really, really cute.

SMITH: That day, a handful of people were waiting in line just to buy their very own mini print. Inciardi spoke with Arianne Motte.

INCIARDI: What did you guys get?

UNIDENTIFIED PERSON: We got...

ARIANNE MOTTE: I got a martini...

UNIDENTIFIED PERSON: ...Strawberry.

MOTTE: ...Which I'm very excited about. And a strawberry.

INCIARDI: Yeah, matching. Is this your first time going to a machine?

UNIDENTIFIED PERSON: Yeah, pretty...

SMITH: I - yeah, but my friend got me the strawberry, like, a couple of weeks ago, and I wanted to go for myself (laughter).

INCIARDI: OK, good.

MOTTE: This is talk of the town.

SMITH: Motte says she and her friends gush over collecting Inciardi's prints.

MOTTE: My friends will go and then, like, get a bunch, and then we'll all, like, get our pick.

INCIARDI: Oh. People have been calling them Pokemon cards for women.

UNIDENTIFIED PERSON: (Laughter).

MOTTE: Nice.

SMITH: Inciardi got the idea to put her art in vending machines back in 2020, but it was only out of necessity - a necessity for, well, clean clothes.

INCIARDI: We have coin-operated laundry in our basement. And we couldn't find quarters anywhere because there was a big...

SMITH: I remember this.

INCIARDI: ...Coin shortage during 2020.

SMITH: Yeah.

INCIARDI: I was like, what if I had, like, a little vending machine where I could collect quarters for my laundry?

MOTTE: Oh, my God.

INCIARDI: And that was literally how I came up with it.

UNIDENTIFIED PERSON: Wow.

SMITH: The prints are deeply nostalgic to her.

INCIARDI: There was this sticker and tattoo vending machine at a supermarket near where I grew up in Brooklyn, at Key Food on 7th Avenue and Carroll Street. And I would get, like, a Batman or, like, a Spider-Man tattoo out of that thing. And then I was like, I wonder if I could get one of those to sell my little prints in there?

MOTTE: God.

INCIARDI: And now that's how I do my laundry still.

SMITH: Inciardi hopes to expand internationally but still keep the cost of her mini prints accessible. Jordan-Marie Smith, NPR News.

(SOUNDBITE OF PINEGROVE SONG, "NEED 2") Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Jordan-Marie Smith
Jordan-Marie Smith is a producer with NPR's All Things Considered.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

SOMOS CONNECTICUT is an initiative from ºÚÁϳԹÏÍø, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de ºÚÁϳԹÏÍø, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.