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20 Years Ago, 'Buffy' Welcomed Us All To The Hellmouth (aka High School)

Over seven seasons, Buffy Summers (Sarah Michelle Gellar) conquered several Big Bads and even death itself.
Warner Bros./Getty Images
Over seven seasons, Buffy Summers (Sarah Michelle Gellar) conquered several Big Bads and even death itself.

Twenty years ago, on March 10, 1997, TV audiences were introduced to Buffy Summers, a pint-sized blonde who could hold her own against the undead. Buffy the Vampire Slayer ran for seven seasons from 1997 to 2003. It had witty dialogue and used monsters as a metaphor for everyday high school problems like , and .

If that wasn't enough to make high school seem hellish, the characters went to school on top of a literal . "So many people at the time sent us letters saying, 'I'm only getting through high school because of Buffy,' " says Buffy writer and producer Jane Espenson.

The show earned a cult following — and made a lasting impact. "You see a lot more female protagonists on TV," Espenson says. "I think you see a lot more genre stuff now, even on network."

Much of that is thanks to creator Joss Whedon's high standards for show plotlines. Espenson recalls how Whedon would test a plot's merit: "He would always ask, 'Is that true? Is it needed? Is it urgent? Does it feel real?' And if something didn't rise to that level, he wouldn't do it."

For example, when Espenson learned that actor Nicholas Brendon (who played member ) had a twin brother, she proposed an episode in which Xander gets split in two. Whedon challenged the idea: "That's not what the character of Xander is going through right now," she recalls him saying. "We can't tell that story until there's an emotional need in Xander for us to tell that story."

, but the conversation left Espenson particularly impressed with Whedon's discipline. "You aren't going to jump at just something that would be an amazing episode of ordinary television," she says. "You wait until it's an amazing episode of Buffy."

Twenty years later, not every aspect of the show has aged well (the special effects, for one) but its message that anyone can be a hero is timeless. Espenson says she knew that when she was working on the final season.

"I remember literally saying, '20 years from now, we're going to be ... looking back on this and we're gonna remember that we were part of a classic show that changed a lot of things. We gotta remember this time.' "

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Nicole Cohen is an education editor at NPR. Prior to joining the Education Desk, she was a producer for NPR's Arts Desk, where she produced and edited arts features and interviews for NPR.org. She was part of the team that created NPR's annual Book Concierge, a collection of the year's best books as chosen by NPR staff and critics. Her other arts features include This Is Color and the podcast recommendation site Earbud.fm. She also coordinated the Web presence for Fresh Air.

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SOMOS CONNECTICUT es una iniciativa de ºÚÁϳԹÏÍø, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

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